The Digital Walters is a branch of The Walters Art Museum Manuscripts Department.
The Digital Walters is a branch of The Walters Art Museum Manuscripts Department.
Calendar 1r - 13v;
Suffrages 14r - 15v;
Illuminations (14)
Gospel Sequences 16r - 24r;
Illuminations (1)
Devotional Sequence 24v - 39r;
Illuminations (7)
Suffrages to female saints 39v - 52v;
Illuminations (1)
Suffrage to the Holy Face 53r - 56r;
Devotional Sequence 56v - 83v;
Illuminations (7)
Suffrages 84r - 94v;
Illuminations (14)
Prayer to the Virgin 95r - 95v;
All Illuminations
Illuminations (22)
This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of particular note. Borders towards the beginning of the book appear to be by a different artist, as later groups of borders differ in both design and color, with smaller motifs, less crowding, blossoming red carnations and lilies, and some amusing drolleries (fol. 57r-v).
Written in Burgundian littera batarda; scribal hand I
Principal cataloger: Randall, Lilian M.C.
Cataloger: Herbold, Rebekah
Editor: Herbert, Lynley
Copy editor: Wallace, Susan
Contributor: Brown, Emily
Contributor: Emery, Doug
Contributor: Herbold, Rebekah
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Wiegand, Kimber
Conservator: Polidori, Tia
Conservator: Quandt, Abigail
De Ricci, Seymour, and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935; p. 809, cat. no. 328.
Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 3. Belgium, 1250-1530. Baltimore and London: Johns Hopkins University Press in association with the Walters Art Gallery, 1989; pp. 509-521, cat. no. 295.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
Ghent
Ca. 1500 CE
book
Non-original Binding
Mid-nineteenth-century French binding by Capé, Paris; brown leather; modern sewing on five chords; apparent set of five pairs of deep cuts is evidence in the first quire of earlier sewing; sides feature fleurs-de-lis; modern gilt edges; name of binder in gold capitals centered on inside of front cover, tail-edge (Capé was active at 16 rue Dauphine in Paris, 1848-67: Devauchelle, vol. 2, pp. 200, 205, vol. 3, pp. 41-42; for another Capé binding, see WAG 1957, no. 554)
The primary language in this manuscript is Latin.
Transcriptions by five or more scribes, ca. 1490-1510; links with Rooclooster suggested; illuminated in the style of Ghent-Bruges school, probably Ghent, ca. 1500; ecclesiastical patronage, English connection indicated; presumed first patron depicted on fol. 39v
Unidentified presumed second patron depicted on fols. 57v and 72v
Seventeenth-century
Rebound in the mid-nineteenth century in Paris by M. Capé
Henry Walters, Baltimore, purchased between 1895 and 1931
Walters Art Museum, 1931, by Henry Walters' bequest
Ghent
Ca. 1500 CE
book
The primary language in this manuscript is Latin.
Transcriptions by five or more scribes, ca. 1490-1510; links with Rooclooster suggested; illuminated in the style of Ghent-Bruges school, probably Ghent, ca. 1500; ecclesiastical patronage, English connection indicated; presumed first patron depicted on fol. 39v
Unidentified presumed second patron depicted on fols. 57v and 72v
Seventeenth-century
Rebound in the mid-nineteenth century in Paris by M. Capé
Henry Walters, Baltimore, purchased between 1895 and 1931
Walters Art Museum, 1931, by Henry Walters' bequest
This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of particular note. Borders towards the beginning of the book appear to be by a different artist, as later groups of borders differ in both design and color, with smaller motifs, less crowding, blossoming red carnations and lilies, and some amusing drolleries (fol. 57r-v).
Written in Burgundian littera batarda; scribal hand I
Principal cataloger: Randall, Lilian M.C.
Cataloger: Herbold, Rebekah
Editor: Herbert, Lynley
Copy editor: Wallace, Susan
Contributor: Brown, Emily
Contributor: Emery, Doug
Contributor: Herbold, Rebekah
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Wiegand, Kimber
Conservator: Polidori, Tia
Conservator: Quandt, Abigail
De Ricci, Seymour, and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935; p. 809, cat. no. 328.
Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 3. Belgium, 1250-1530. Baltimore and London: Johns Hopkins University Press in association with the Walters Art Gallery, 1989; pp. 509-521, cat. no. 295.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
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