This Safavid single-leaf drawing with opaque watercolor and illuminated borders depicts a man with a large turban riding a donkey. Attributable to the early eleventh century AH / seventeenth CE, it is in the style of drawing defined by the school of the famous Persian artist Riẓā ʿAbbāsī (fl. 1001-1044 AH / 1591-2 to 1634 CE). The composition is the reverse of a work by the Safavid painter Ṣādiqī (939-1018 AH / 1533-1610 CE) in the Musée du Louvre published by Ivan Stchoukine in 1929 that has been identified as a depiction of a mullah (religious scholar). The illuminated borders of landscape scenes and gazelles are slightly later than the drawing and probably date to the late eleventh century AH / seventeenth CE.
Principal cataloger: Gacek, Adam
Cataloger: Landau, Amy
Cataloger: Smith, Sita
Editor: Bockrath, Diane
Contributor: Barrera, Christina
Contributor: Emery, Doug
Contributor: Herbert, Lynley
Contributor: Noel, William
Contributor: Simpson, Shreve
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Valle, Chiara
Conservator: Jewell, Stephanie
Conservator: Quandt, Abigail
Stchoukine, Ivan. Les miniatures indiennes de l'époque des grands moghols au Musée du Louvre. (Paris: Musée du Louvre, 1929), plate 10.
Grube, Ernst J. and Maria Alberta Fabris. Muslim Miniature Paintings from the XIII to XIX Century from Collections in the United States and Canada: Catalogue of the Exhibition. (Venezia: N. Pozza, 1962), 126.
Bailey, Gauvin Alexander. "Supplement: The Sins of Sadiqi's Old Age." In Persian Painting from the Mongols to the Qajars, by Robert Hillenbrand, 264. London and New York: I. B. Tauris, 2000.
Noel, William, and Daniel Weiss, eds. The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. (Baltimore: Walters Art Museum, 2002), 204, cat. 48.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
Iran
Early 11th century AH / 17th CE
leaf
No linguistic content; Not applicable
Walters Art Museum, 1931, by Henry Walters bequest
Iran
Early 11th century AH / 17th CE
leaf
No linguistic content; Not applicable
Walters Art Museum, 1931, by Henry Walters bequest
This Safavid single-leaf drawing with opaque watercolor and illuminated borders depicts a man with a large turban riding a donkey. Attributable to the early eleventh century AH / seventeenth CE, it is in the style of drawing defined by the school of the famous Persian artist Riẓā ʿAbbāsī (fl. 1001-1044 AH / 1591-2 to 1634 CE). The composition is the reverse of a work by the Safavid painter Ṣādiqī (939-1018 AH / 1533-1610 CE) in the Musée du Louvre published by Ivan Stchoukine in 1929 that has been identified as a depiction of a mullah (religious scholar). The illuminated borders of landscape scenes and gazelles are slightly later than the drawing and probably date to the late eleventh century AH / seventeenth CE.
Principal cataloger: Gacek, Adam
Cataloger: Landau, Amy
Cataloger: Smith, Sita
Editor: Bockrath, Diane
Contributor: Barrera, Christina
Contributor: Emery, Doug
Contributor: Herbert, Lynley
Contributor: Noel, William
Contributor: Simpson, Shreve
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Valle, Chiara
Conservator: Jewell, Stephanie
Conservator: Quandt, Abigail
Stchoukine, Ivan. Les miniatures indiennes de l'époque des grands moghols au Musée du Louvre. (Paris: Musée du Louvre, 1929), plate 10.
Grube, Ernst J. and Maria Alberta Fabris. Muslim Miniature Paintings from the XIII to XIX Century from Collections in the United States and Canada: Catalogue of the Exhibition. (Venezia: N. Pozza, 1962), 126.
Bailey, Gauvin Alexander. "Supplement: The Sins of Sadiqi's Old Age." In Persian Painting from the Mongols to the Qajars, by Robert Hillenbrand, 264. London and New York: I. B. Tauris, 2000.
Noel, William, and Daniel Weiss, eds. The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. (Baltimore: Walters Art Museum, 2002), 204, cat. 48.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
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