This Latin psalter was made in the second half of the thirteenth century for use in the Diocese of Constance, Germany. By the fourteenth century, it was owned by the church of St. Mary of Strasbourg, from which it gets its name. The long life and enthusiastic use of the manuscript is attested to by a multitude of added inscriptions, prayers, and antiphons with neumes, most dating to the fifteenth or sixteenth century. An early system of bookmarking is also evident; strips of parchment have been cut in some of the margins and folded through a slit in the leaf, creating tabs that would have helped the reader navigate through the text. Illumination also served this function, for while a short cycle of images from the life of Christ introduces the manuscript, the rest of the illuminations--large decorated initials as well as smaller ones in silver and gold--mark the important psalms for the reader. The style of illumination found here is closely related to two other psalters from Constance: Sigmaringen, Royal State Archives Ms. 11 and Fulda, Hessische Landesbibliothek Fulda Ms. Aa 82.
Written in Gothic bookhand
Cataloger: Herbert, Lynley
Cataloger: Walters Art Museum curatorial staff and researchers since 1934
Editor: Herbert, Lynley
Editor: Noel, William
Copy editor: Bockrath, Diane
Contributor: Bockrath, Diane
Contributor: Dutschke, Consuelo
Contributor: Emery, Doug
Contributor: Hamburger, Jeffrey
Contributor: Klemm, Elizabeth
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Conservator: Owen, Linda
Conservator: Quandt, Abigail
De Ricci, Seymour. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935, p. 771, no. 88.
Swarzenski, Hanns. The Berthold Missal, the Pierpont Morgan Library MS 710, and the Scriptorium of Weingarten Abbey. New York: Pierpont Morgan Library, 1943, p. 58, no. 148.
Jeauneau, Édouard. "Un 'dossier' carolingien sur la création de l'homme, Génèse I,26-III,24." Revue des Études Augustiniennes 28 (1982): 112-132.
Upper Rhineland, Germany
Second half of the 13th century CE
book
Non-original Binding
Possibly fourteenth century; beech boards covered with alum-tawed pigskin(?); pastedowns made from leaves of a thirteenth-century psalter litany; blind-tooled fillet decoration in a diaper pattern on boards, particularly visible on the lower board; brass clasp added in the fifteenth century(?); spine lettered in an eighteenth-century script, reading "Psalterium Msc. pergam. cum canticis et symbolis"
The primary language in this manuscript is Latin.
Made for use in the Diocese of Constance after 1224
Used by the church of St. Mary of Strasbourg, fourteenth century inscription on fol. 2r, reading "In choro propositi ecclesie Sancte Marie Argentin" [St. Mary of Strasbourg]) (provenance)
Owned by Dominicans in the fifteenth century (Dominic added twice; Thomas [canonized 1333] added to the litany in a fifteenth-century script) (provenance)
Martin Bassonier, fifteenth century
Bénigne-Charles Févret de Saint Mémin
Léon Gruel collection, Paris, late nineteenth or early twentieth century
Henry Walters, Baltimore, acquired from Gruel before 1931
Walters Art Museum, 1931, by Henry Walters' bequest
Upper Rhineland, Germany
Second half of the 13th century CE
book
The primary language in this manuscript is Latin.
Made for use in the Diocese of Constance after 1224
Used by the church of St. Mary of Strasbourg, fourteenth century inscription on fol. 2r, reading "In choro propositi ecclesie Sancte Marie Argentin" [St. Mary of Strasbourg]) (provenance)
Owned by Dominicans in the fifteenth century (Dominic added twice; Thomas [canonized 1333] added to the litany in a fifteenth-century script) (provenance)
Martin Bassonier, fifteenth century
Bénigne-Charles Févret de Saint Mémin
Léon Gruel collection, Paris, late nineteenth or early twentieth century
Henry Walters, Baltimore, acquired from Gruel before 1931
Walters Art Museum, 1931, by Henry Walters' bequest
This Latin psalter was made in the second half of the thirteenth century for use in the Diocese of Constance, Germany. By the fourteenth century, it was owned by the church of St. Mary of Strasbourg, from which it gets its name. The long life and enthusiastic use of the manuscript is attested to by a multitude of added inscriptions, prayers, and antiphons with neumes, most dating to the fifteenth or sixteenth century. An early system of bookmarking is also evident; strips of parchment have been cut in some of the margins and folded through a slit in the leaf, creating tabs that would have helped the reader navigate through the text. Illumination also served this function, for while a short cycle of images from the life of Christ introduces the manuscript, the rest of the illuminations--large decorated initials as well as smaller ones in silver and gold--mark the important psalms for the reader. The style of illumination found here is closely related to two other psalters from Constance: Sigmaringen, Royal State Archives Ms. 11 and Fulda, Hessische Landesbibliothek Fulda Ms. Aa 82.
Written in Gothic bookhand
Cataloger: Herbert, Lynley
Cataloger: Walters Art Museum curatorial staff and researchers since 1934
Editor: Herbert, Lynley
Editor: Noel, William
Copy editor: Bockrath, Diane
Contributor: Bockrath, Diane
Contributor: Dutschke, Consuelo
Contributor: Emery, Doug
Contributor: Hamburger, Jeffrey
Contributor: Klemm, Elizabeth
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Conservator: Owen, Linda
Conservator: Quandt, Abigail
De Ricci, Seymour. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935, p. 771, no. 88.
Swarzenski, Hanns. The Berthold Missal, the Pierpont Morgan Library MS 710, and the Scriptorium of Weingarten Abbey. New York: Pierpont Morgan Library, 1943, p. 58, no. 148.
Jeauneau, Édouard. "Un 'dossier' carolingien sur la création de l'homme, Génèse I,26-III,24." Revue des Études Augustiniennes 28 (1982): 112-132.
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