This Mughal painting of the early eleventh century AH / seventeenth CE depicts two young men on a white elephant. The seated man is being served wine. The painting is surrounded by a frame of illuminated buff-colored paper with four panels inscribed with Persian verses written in black nastaʿlīq script. The border is of salmon-colored paper with illuminated floral motifs.
Written in black nastaʿlīq script
Principal cataloger: Gacek, Adam
Cataloger: Landau, Amy
Cataloger: Smith, Sita
Editor: Bockrath, Diane
Contributor: Barrera, Christina
Contributor: Emery, Doug
Contributor: Herbert, Lynley
Contributor: Noel, William
Contributor: Simpson, Shreve
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Valle, Chiara
Conservator: Jewell, Stephanie
Conservator: Quandt, Abigail
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
India
Early 11th century AH / 17th CE
leaf
The primary language in this manuscript is Persian.
Walters Art Museum, 1931, by Henry Walters bequest
India
Early 11th century AH / 17th CE
leaf
The primary language in this manuscript is Persian.
Walters Art Museum, 1931, by Henry Walters bequest
This Mughal painting of the early eleventh century AH / seventeenth CE depicts two young men on a white elephant. The seated man is being served wine. The painting is surrounded by a frame of illuminated buff-colored paper with four panels inscribed with Persian verses written in black nastaʿlīq script. The border is of salmon-colored paper with illuminated floral motifs.
Written in black nastaʿlīq script
Principal cataloger: Gacek, Adam
Cataloger: Landau, Amy
Cataloger: Smith, Sita
Editor: Bockrath, Diane
Contributor: Barrera, Christina
Contributor: Emery, Doug
Contributor: Herbert, Lynley
Contributor: Noel, William
Contributor: Simpson, Shreve
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Valle, Chiara
Conservator: Jewell, Stephanie
Conservator: Quandt, Abigail
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
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