This painting depicts the third Mughal Emperor Akbar (r. 963 AH / 1556 CE -- 1014 AH / 1605 CE). It was executed in Mughal India in the twelfth century AH / eighteenth CE. Akbar is shown seated on a throne and holding the crown in his hands. The inscription in Devanagari script on the left side identifies the sitter as Akbar. The image is framed by salmon and blue borders with illuminated floral motifs.
Principal cataloger: Gacek, Adam
Cataloger: Landau, Amy
Cataloger: Smith, Sita
Editor: Bockrath, Diane
Contributor: Barrera, Christina
Contributor: Emery, Doug
Contributor: Herbert, Lynley
Contributor: Noel, William
Contributor: Simpson, Shreve
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Valle, Chiara
Conservator: Jewell, Stephanie
Conservator: Quandt, Abigail
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
India
12th century AH / 18th CE
leaf
The primary language in this manuscript is Sanskrit.
Walters Art Museum, 1931, by Henry Walters bequest
India
12th century AH / 18th CE
leaf
The primary language in this manuscript is Sanskrit.
Walters Art Museum, 1931, by Henry Walters bequest
This painting depicts the third Mughal Emperor Akbar (r. 963 AH / 1556 CE -- 1014 AH / 1605 CE). It was executed in Mughal India in the twelfth century AH / eighteenth CE. Akbar is shown seated on a throne and holding the crown in his hands. The inscription in Devanagari script on the left side identifies the sitter as Akbar. The image is framed by salmon and blue borders with illuminated floral motifs.
Principal cataloger: Gacek, Adam
Cataloger: Landau, Amy
Cataloger: Smith, Sita
Editor: Bockrath, Diane
Contributor: Barrera, Christina
Contributor: Emery, Doug
Contributor: Herbert, Lynley
Contributor: Noel, William
Contributor: Simpson, Shreve
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Contributor: Valle, Chiara
Conservator: Jewell, Stephanie
Conservator: Quandt, Abigail
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
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