This leaf, created in southern Germany ca. 1475, contains illustrations to the Sext and None segments of De Septem Stationibus Passionis Christi. This anonymous text, written in rhymed verse, was often appended to the Speculum Humanae Salvationis, which may have ultimately been the context for this leaf. The effect of the images, written and illuminated on paper with heavy ink outlines and washes of color, closely resembles that of colored woodcuts from the same period.
Cursive hybrid book script
Cataloger: Walters Art Museum curatorial staff and researchers since 1934
Editor: Herbert, Lynley
Editor: Noel, William
Copy editor: Bockrath, Diane
Copy editor: Dibble, Charles
Contributor: Bockrath, Diane
Contributor: Dutschke, Consuelo
Contributor: Emery, Doug
Contributor: Hamburger, Jeffrey
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Conservator: Owen, Linda
Conservator: Quandt, Abigail
Lutz, J., and P. Perdrizet, Speculum Humanae Salvationis. Leipzig: Mulhouse, 1907, pp. 90-91.
Faye, C. U., and W. H. Bond. Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York: Bibliographical Society of America, 1962, p. 197, no. 558.
Miner, Dorothy. "Since de Ricci--Western Illuminated Manuscripts Acquired since 1934: A Report in Two Parts: Part 1." Journal of the Walters Art Gallery 29-30 (1966): pp. 68-103, p. 100, fig. 22.
"Bulletin Codicologique." Scriptorium 26 (1972): pp. 130-246, p. 208, no. 402.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
Southern Germany
Ca. 1475 CE
leaf
The primary language in this manuscript is Latin.
Created as part of a book, possibly appended to a copy of the Speculum Humanae Salvationis, ca. 1475, southern Germany
Reused in a binding at an unknown date
Jacques Rosenthal collection, Munich, Germany, before 1930
Fred Werther, Baltimore, purchased from Rosenthal, ca. 1930
Walters Art Museum, Baltimore, purchased from Werther, 1945
Museum purchase in 1945
Southern Germany
Ca. 1475 CE
leaf
The primary language in this manuscript is Latin.
Created as part of a book, possibly appended to a copy of the Speculum Humanae Salvationis, ca. 1475, southern Germany
Reused in a binding at an unknown date
Jacques Rosenthal collection, Munich, Germany, before 1930
Fred Werther, Baltimore, purchased from Rosenthal, ca. 1930
Walters Art Museum, Baltimore, purchased from Werther, 1945
Museum purchase in 1945
This leaf, created in southern Germany ca. 1475, contains illustrations to the Sext and None segments of De Septem Stationibus Passionis Christi. This anonymous text, written in rhymed verse, was often appended to the Speculum Humanae Salvationis, which may have ultimately been the context for this leaf. The effect of the images, written and illuminated on paper with heavy ink outlines and washes of color, closely resembles that of colored woodcuts from the same period.
Cursive hybrid book script
Cataloger: Walters Art Museum curatorial staff and researchers since 1934
Editor: Herbert, Lynley
Editor: Noel, William
Copy editor: Bockrath, Diane
Copy editor: Dibble, Charles
Contributor: Bockrath, Diane
Contributor: Dutschke, Consuelo
Contributor: Emery, Doug
Contributor: Hamburger, Jeffrey
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Conservator: Owen, Linda
Conservator: Quandt, Abigail
Lutz, J., and P. Perdrizet, Speculum Humanae Salvationis. Leipzig: Mulhouse, 1907, pp. 90-91.
Faye, C. U., and W. H. Bond. Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York: Bibliographical Society of America, 1962, p. 197, no. 558.
Miner, Dorothy. "Since de Ricci--Western Illuminated Manuscripts Acquired since 1934: A Report in Two Parts: Part 1." Journal of the Walters Art Gallery 29-30 (1966): pp. 68-103, p. 100, fig. 22.
"Bulletin Codicologique." Scriptorium 26 (1972): pp. 130-246, p. 208, no. 402.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
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