This single leaf originally belonged to a Gospel book, and was created in the Lake Tana region of Ethiopia. The strong abstraction of the figure and his surroundings are characteristic of Ethiopian illumination of the late fourteenth century. The image, which is on the verso of the page, depicts the Evangelist St. Luke and would likely have originally faced the opening of his Gospel. Here Luke is presented as an Ethiopian scribe and is surrounded by the tools of his trade, including ink horns, reed pens, and a scraping knife. His upward gaze suggests the divine inspiration he received while writing his Gospel, the first words of which are inscribed on the page he holds. Despite being badly abraded, the pigments still retain much of their original vibrancy.
Principal cataloger: Getatchew Haile, .
Cataloger: Herbert, Lynley
Editor: Herbert, Lynley
Contributor: Bockrath, Diane
Contributor: Emery, Doug
Contributor: Isaac, Ephraim
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Conservator: Owen, Linda
Conservator: Quandt, Abigail
Holbert, Kelly, ed. Ethiopian Art: The Walters Art Museum. Baltimore: Trustees of the Walters Art Gallery, 2001, pp. 100-101, cat. no. 12.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
Lake Tana, Ethiopia
Late 14th century CE
leaf
The primary language in this manuscript is Geez.
Originally created as part of a Gospel book, Lake Tana, Ethiopia, late fourteenth or early fifteenth century
Joseph and Margaret Knopfelmacher collection, New York, before 1996
Gift of Mr. and Mrs. Joseph Knopfelmacher, 1996
Lake Tana, Ethiopia
Late 14th century CE
leaf
The primary language in this manuscript is Geez.
Originally created as part of a Gospel book, Lake Tana, Ethiopia, late fourteenth or early fifteenth century
Joseph and Margaret Knopfelmacher collection, New York, before 1996
Gift of Mr. and Mrs. Joseph Knopfelmacher, 1996
This single leaf originally belonged to a Gospel book, and was created in the Lake Tana region of Ethiopia. The strong abstraction of the figure and his surroundings are characteristic of Ethiopian illumination of the late fourteenth century. The image, which is on the verso of the page, depicts the Evangelist St. Luke and would likely have originally faced the opening of his Gospel. Here Luke is presented as an Ethiopian scribe and is surrounded by the tools of his trade, including ink horns, reed pens, and a scraping knife. His upward gaze suggests the divine inspiration he received while writing his Gospel, the first words of which are inscribed on the page he holds. Despite being badly abraded, the pigments still retain much of their original vibrancy.
Principal cataloger: Getatchew Haile, .
Cataloger: Herbert, Lynley
Editor: Herbert, Lynley
Contributor: Bockrath, Diane
Contributor: Emery, Doug
Contributor: Isaac, Ephraim
Contributor: Noel, William
Contributor: Tabritha, Ariel
Contributor: Toth, Michael B.
Conservator: Owen, Linda
Conservator: Quandt, Abigail
Holbert, Kelly, ed. Ethiopian Art: The Walters Art Museum. Baltimore: Trustees of the Walters Art Gallery, 2001, pp. 100-101, cat. no. 12.
These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.
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