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← search Single leaf of Nayaka and attendants in leafy bowers W.876
Manuscript Overview
References
Bindings & Oddities

Abstract

This painting, dating to the twelfth century AH / eighteenth CE, depicts three women seated within two leafy bowers. The Nayaka (female lover or heroine) sits alone, while her two female companions, known as sakhis, converse in the other bower. The painting may represent Utka nayaka, a classification for heroines who are awaiting or yearning for their lovers. Often, they are shown on a bed of flowers or leaves that they have prepared in expectation of meeting their lovers. In the landscape are animals engaged in various activities. An outcrop of rocks in the distance forms a horizon, above which is a blue sky streaked with light gray or white washes to suggest a thin layer of high clouds.

Contributors

Principal cataloger: Gacek, Adam

Cataloger: Landau, Amy

Cataloger: Smith, Sita

Editor: Bockrath, Diane

Contributor: Barrera, Christina

Contributor: Emery, Doug

Contributor: Herbert, Lynley

Contributor: Noel, William

Contributor: Simpson, Shreve

Contributor: Tabritha, Ariel

Contributor: Toth, Michael B.

Contributor: Valle, Chiara

Conservator: Jewell, Stephanie

Conservator: Quandt, Abigail

Bibliography

Pal, Pratapaditya. Desire and Devotion: Art from India, Nepal, and Tibet in the John and Berthe Ford Foundation. (London: Phillip Wilson, 2001), 167.


These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.

Keywords
Illustration
India
Indian
Islamic
Painting

Origin Place

Delhi (?)

Date

ca. 1750 CE

Form

leaf

Language

No linguistic content; Not applicable

Acquisition

Gift of John and Berthe Ford, 2001

← search Single leaf of Nayaka and attendants in leafy bowers W.876

Origin Place

Delhi (?)

Date

ca. 1750 CE

Form

leaf

Language

No linguistic content; Not applicable

Acquisition

Gift of John and Berthe Ford, 2001

Manuscript Overview

Abstract

This painting, dating to the twelfth century AH / eighteenth CE, depicts three women seated within two leafy bowers. The Nayaka (female lover or heroine) sits alone, while her two female companions, known as sakhis, converse in the other bower. The painting may represent Utka nayaka, a classification for heroines who are awaiting or yearning for their lovers. Often, they are shown on a bed of flowers or leaves that they have prepared in expectation of meeting their lovers. In the landscape are animals engaged in various activities. An outcrop of rocks in the distance forms a horizon, above which is a blue sky streaked with light gray or white washes to suggest a thin layer of high clouds.

References

Contributors

Principal cataloger: Gacek, Adam

Cataloger: Landau, Amy

Cataloger: Smith, Sita

Editor: Bockrath, Diane

Contributor: Barrera, Christina

Contributor: Emery, Doug

Contributor: Herbert, Lynley

Contributor: Noel, William

Contributor: Simpson, Shreve

Contributor: Tabritha, Ariel

Contributor: Toth, Michael B.

Contributor: Valle, Chiara

Conservator: Jewell, Stephanie

Conservator: Quandt, Abigail

Bibliography

Pal, Pratapaditya. Desire and Devotion: Art from India, Nepal, and Tibet in the John and Berthe Ford Foundation. (London: Phillip Wilson, 2001), 167.


Bindings & Oddities

These are pages that we pulled aside that disrupted the flow of the manuscript reader. These may be bindings, inserts, bookmarks, and various other oddities.

Keywords
Illustration
India
Indian
Islamic
Painting
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